欧洲的某个地方

HD中字

/ 剧情/

1948 其它 570+ 570+

剧情：

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 收起

推荐如果是遇到无法播放，可以点击这里反馈！

观看

手机扫码

使用手机浏览器扫码观看

欧洲的某个地方 -HD中字

观影+

视频报错
如果是遇到无法播放请提交反馈

投屏到电视
教程：把手机影片投到电视上播放

在线观看

OK资源

播放节点列表

OK资源1

快看资源1

欧洲的某个地方

【HD中字】
官网同步更新,若有延迟请稍作休息再看看

if (strstr($obj['vod_play_list'][$param['sid']]['urls'][$param['nid']]['url'],$vo2)==true){

播放失败点我【切换】解析或线路！

选集

选集排序

HD中字

欧洲的某个地方

【HD中字】
官网同步更新,若有延迟请稍作休息再看看

if (strstr($obj['vod_play_list'][$param['sid']]['urls'][$param['nid']]['url'],$vo2)==true){

播放失败点我【切换】解析或线路！

选集

选集排序

HD中字

相关影片

2021 剧情片日本

蜂蜜柠檬苏打

ラウール吉川爱堀田真由冈本夏美坂东龙汰滨田龙臣拉乌卢

本作は、中学時代に“石”と呼ばれていじめられていた少女・石森羽花（いしもりうか）が、自由奔放で人気者な少年・三浦界（みうらかい）と関わりを深めていく中で、少しずつ積極的になっていくさまを描く青春物

蜂蜜柠檬苏打

HD中字

2024 剧情片意大利,美国

酷儿

影片改编自威廉·S·巴勒斯的同名半自传性质小说，讲述1950年代的墨西哥城，40多岁的美国侨民William Lee（丹尼尔·克雷格 Daniel Craig 饰）身处一个小小的美国人社群，但过着独居

酷儿

更新HD

2024 剧情片其它

奔跑吧！勇敢的女人们（国语）

多棲藝人兼工作室老闆丁仲堯，以愛妻號形象走紅。太太林采琳息影後專注家庭，陪子女赴海外升學，忍受夫妻分隔異地之苦。采琳秘密回港與仲堯團聚，未料驚喜變驚嚇，仲堯竟對她百般嫌棄……采琳終知悉仲堯寵妻只是人設，得仲堯經理人禾平點醒，決要找回自己價值，惟復出幕前路難行，只好轉當幕後重返職場，無奈服侍早已反目的當紅女星沈洛澄。采琳當年被指介入仲堯、洛澄之間，如今二人似已舊情復熾下，該如何勇敢面對這場婚姻亂局？

奔跑吧！勇敢的女人们（国语）

第1集