剧情：
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
收起
相关影片
2024
剧情片
美国
正片
1989
剧情片
香港
更新HD
2025
剧情片
丹麦
已完结
2024
剧情片
美国
更新HD
2024
剧情片
日本
第1集
2025
剧情片
法国
正片
2016
剧情片
日本
HD中字
2025
剧情片
法国
更新中字
2024
剧情片
欧美
保罗·麦斯卡 佩德罗·帕斯卡 丹泽尔·华盛顿 康妮·尼尔森 约瑟夫·奎恩 弗莱德·赫钦格 德里克·雅各比 马特·卢卡斯 彼得·门萨 梅·卡拉美维 蒂姆·麦克纳尼 利奥·拉兹 瑞安娜·杜斯 奇迪·阿朱福 李·查尔斯 齐·刘易斯-帕里 迈克·帕里什 米哈伊尔·巴斯马吉安 亚历山大·西姆金 马克西姆·杜兰德
影片故事延续前作，路奇乌斯（保罗·麦斯卡 Paul Mescal 饰）童年时亲眼目击受万人景仰的英雄马克西蒙斯死于舅舅之手，多年后已长大成人的他，在暴君的铁腕统治下，被迫进入竞技场为生存而战。心中充满怒火的卢修斯，眼见罗马帝国的未来岌岌可危，决心讨回本属于他的权力和荣誉，还 罗马人民一个辉煌的罗马。
第1集
正片
2024
剧情片
欧美
伊莎贝尔·于佩尔 阿弗西娅·埃尔奇 纳威尔·佩雷兹·毕斯卡亚特 Romane Meunier 穆斯塔法·姆本格 Elyjah Timera 斯特凡·里多 Emmanuelle Hiron Elisabeth Puig Antoine Maurien Eliane Régis de Martrin-Donos Mama Prassinos Albane Desmartin Zia Lebot Pauline Peltier Philippe Lavenu Marie-Chr
该剧本由André Téchiné和Régis de Martrin-Donos撰写，以即将退休的技术和科学警察的特工Lucie为中心。一对年轻夫妇（一个小女孩的父母）来到他的小区，这让他孤独的日常生活感到不安。当她爱上她的新邻居时，她发现父亲Yann是一名反警察活动家，有着沉重的犯罪记录。Lucie的职业良知与她帮助这个家庭的愿望之间的道德冲突将动摇她的确定性......
第1集
2024
剧情片
韩国
正片
2024
剧情片
加拿大
更新HD
2024
剧情片
西班牙 / 乌拉圭 / 多米尼加
正片